As urban development picks up pace,
familiar landmarks are disappearing all too fast, along with structures
of priceless historical value. A.A. lacking an official list of its
historically significant buildings, developers alone can not be blamed.
This week’s Pankhurst’s corner sheds light on this significant
heritage loss.
The Mystery of Shaka’s House
Belehu: Patriot and Martyr
Qanyazmach Belehu Degefe, popularly known as Shaka, was an
Ethiopian Patriot who opposed the Italian Fascist invasion
of Ethiopia in 1935-6. When resistance on the northern front failed
he joined Ras Imru Haile Selassie in the struggle to keep Ethiopian
resistance alive in the west of the country. Belehu, then
serving as a Chamberlain, is mentioned in a letter which the
Emperor despatched to the Ras, reproduced in Haile Sellassie’s
Autobiography (Harold Marcus translation, page 8) Belehu later returned
to Addis Ababa, where he was arrested immediately after the attempt
on the life of the Italian viceroy Rodolfo Graziani. He was
almost immediately shot, and is considered one of the Ethiopian
martyrs of the Fascist era.
His House
Belehu had a house in the Arat Kilo quarter of the
city. This building has long been regarded as a structure of
some historical interest. It was listed as such by the Addis
Ababa Municipality, and also figures in Milena Batistoni and
Gian Paolo Chiari’s admirable book Old Tracks in the New Flower.
A Historical Guide to Addis Ababa, which was published in the city
in 2004. (page 114).
The Preservation Cause
The building was also architecturally interesting in that it
belonged to the fast disappearing structures, which historians describe
as of the Menilek-Iyasu-Zawditu style. This style is characterized
by the abandonment of round buildings, and the use of worked stone,
with wooden balconies, and often steep roof gables. Though in some
ways reminiscent of Indian architecture - which is not surprising
in that many of the city’s early builders hailed from the
Sub-continent, the Ethiopian architecture of the era in question
is unique: in fact nothing exactly like it is found anywhere in
the world.
Such structures represent an important type of architecture about
which the country could feel proud.
Several of these buildings have won high praise from architectural
scholars, both in Ethiopia and abroad. The need to preserve them
is recognized in a recent Addis Ababa City Government policy statement
which claims that thir preservation is of major importance:
- to give the next generation “a profound and extensive awareness”
of its historic and cultural heritage.
- to remind society at large of “the level of civilization”
it attained in the past.
- to attract tourism, which is expected to become increasingly significant
in the years ahead.
The significance of the city’s historic buildings –
and the need to preserve them as part of Ethiopia’s cultural
heritage – has led to founding, by Princess Mariam Senna,
of an interesting Addis Ababa-based NGO: Addis Wubet
which is committed to the city’s cultural preservtion.
Destruction
Belehu’s house, sad to say, has recently been destroyed: nothing
whatsoever remains of it. The wood out of which it was made has
been sold.
This destruction, which some might consider an act of vandalism,
raises two important but related questions:
1. When is the Municipality going to issue a definitive list
of Historic Buildings?
2. When is the Government going to introduce legislation for the
legal protection of such listed buildings?
If and when historic buildings are to be demolished, the least we
can expect is that the structure so condemned is scientifically
photographed, and proper architectural drawings of it prepared;
and that any parts of the building of cultural interest (roof decorations,
lamp installations, window frames. perhaps part of the wallpaper,
etc) be preserved for possible museum display. Failure to do this
would constitute lack of respect for Ethiopian history and culture.
One last question deserves to be asked: Which is the next historic
building to be destroyed?
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