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Ethiopian National Accounting Day- my reflection

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By Gobeze Dessalegn, FCCA
Preface
It was a pleasure participating in the 1st National Accounting Day Conference at Sky Light Hotel on Friday 11th February 2022, co-organized by Accounting and Auditing Board of Ethiopia (AABE) and ACCA Ethiopia office. More than 500 accounting and auditing professionals from multitude of sectors and government organs participated. It has brought together so many professionals not only to discuss on variety of burning accounting issues, but also to socialize and meet long forgotten friends.
Among issues discussed at the Conference by different panel groups include:
State of the Accounting Profession in Africa;
Regulation of the Accounting Profession in Ethiopia;
Professional Accountants as Business Partners in Ethiopia- Sharing Experience; and
Building Trust and Ethics in the Accounting profession.
The contribution and comments of the participants were also worth noting. Despite of all these, my mind started reeling away, thinking and re-thinking that something crucial and, which I think is, the primary problem of the accounting profession was left unsaid/unmentioned; the issue of users of Audited Financial Statements (AFSs); the fact that we do not really have users who read, understand, and rely on the AFS to make informed business decisions.
As per IFRS Conceptual Framework, primary users of financial statements are existing and potential investors and lenders; providers of equity and/or loan finances. Others who use financial statements, including management, employees, regulators, governments organs (including tax authorities) are classified as secondary users. The problem in Ethiopia is that we do not practically have both categories of users.
Readers of this article, particularly those out of the accounting profession might, probably rightly, wonder what I’m talking about. In a country where thousands and thousands of accountants are crunching numbers every day and thousands of reports are issued every year (most audited by external auditors), I understand if they are perplexed.
The Primary Users
Most local private businesses are family owned and the owners are either not capable or not genuinely interested in reading and using the financial reports. Foreign direct investments (FDIs), though no much problem in the capability sector, are not much better in the interest field. Even global NGOs directly and officially propagate minimizing audit fees rather than getting more reliable financial reports.
Providers of loan finance in Ethiopia, the banks, provide loan, almost 100%, on collateral bases. For business borrowers, just for the sake of formality, they ask for audited reports. Then, it boils down to whether the loan is supported by worthy collateral. An engineer/surveyor is sent to the site to estimate value of the collateral and decide on the loan provision.
The Secondary Users
Respective staff of the reporting entities do not have either interest in or access to the financial reports.
Managements of the reporting entities, those who actually use, are more interested in the management and cost accounting reports, those produced for internal consumption, than AFSs.
Revenue Authority is supposed to be the major user of AFSs. It is true that it requires the AFSs to be filed, then sends its own tax auditors to go through the records of the tax filers to produce tax assessment reports. The audit reports of even the most respected audit firms are practically disregarded.
The former regulator of the profession, Office of the Federal Auditor General (OFAG), was not receiving and reviewing the reports produced by the authorized accountants and auditors it regulates. The current regulator, Accounting and Auditing Board of Ethiopia (AABE), requires almost all reporting entities to file their AFSs annually. Given the huge number of reporting entities and limited number of its staff, I can fairly say that it’s not yet in a position to review even a representative sample of the filed reports.
Hence, no practical use. These all boil down to the fact that if there are no users of AFS in the real sense, no matter how many accountants & auditors crunch numbers every day, whether we talk all days about accounting and auditing standards, professional ethics and regulation in Ethiopia, I doubt if we can move the profession an iota of step forward.
What for if managements, regulators, lenders and taxing authorities just file the reports irrespective of who prepared and/or audited them; if investors are not interested in improving investment decisions? Why should we be surprised if a sole practitioner, as one panelist said, issue 100 audit reports in 3 months, disregarding all ethical and regulatory requirements? What would AABE do in this case? Cancel the license? No guarantee that he/she will not be replaced by a worse practitioner with new license. Why did many of us looked down to the ground when one participant commented that audits (normally involving many teams and processes) are performed with fees of 5,000 and 10,000 ETB, despite of the sky-rocketing inflation?
In this regard, let me share to the readers a personal story. I had a client and we begun the audit at fee of ETB 15,000. Every year, he comes and complains about his business not doing well. The fee started dwindling until we reached 9,000 after 3 or 4 years when, after pocketing the agreement, he smiled and said to me ‘hey, does this mean you are going to audit for me freely after few years?’ I smiled back, as it was supposed to be a joke, but my stomach was churning like hell. That was one of turning points in my professional career.
Conclusion
Although issue of users of AFSs, I believe, is the major challenges of the accounting profession in Ethiopia, particularly for those in external audit service, the fact of the matter is that I don’t have solution to suggest. I only hope that time will resolve it and it will not be too long. I hope that new generation of investors beyond the usual kiosk/family shop owners will come and evaluate their investments, existing & potential, from long-term perspective considering the investees financial performance, position and cash flows. I hope that our bankers will appreciate the past financial results and future business potential of borrowers, rather than running after the physical buildings and machines. I hope that time will come when Revenue Authorities identify, evaluate and accredit potential external auditors and rely on their reports. Then, only then, we may see light on the horizon.

Gobeze Dessalegn, FCCA, is Director at HST

Emerging Painting Invitational (EPI) prize winners for 2022 announced

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The Emerging Painting Invitational (EPI) is the African continent’s largest invite-only art event dedicated to painters and painting. The winners of the 2022 edition of the competition, the third since the prize’s inauguration, were revealed at an evening event hosted by art auction house Strauss & Co on 16 February.
“Supporting the EPI prize is an important part of our ongoing commitment to young artists on the continent,” said Susie Goodman, Executive Director of Strauss & Co. “We were particularly encouraged this year to see outstanding work by artists from eight different African countries – Algeria, Angola, Ethiopia, Kenya, Rwanda, South Africa, Sudan, and Tunisia – with really strong woman artists making their voices heard.”
A Grand Prize of $3,000, sponsored by Strauss & Co, was awarded to Ravelle Pillay (South Africa). The winning artist’s oil on canvas works titled ‘The Birthday Party I & II’ and ‘Cake’ are available to purchase on Strauss & Co’s EPI February Online-only auction.
A Second Prize of $2000, sponsored by Emerging Painting Invitational, was awarded to Natnael Ashebir (Ethiopia) for his acrylic on canvas works titled Layers of Life I, II, III.
A Third Prize of $1000, sponsored by the African Art Galleries Association, was presented in absentia to Malebona Maphutse (South Africa). This award includes a residency at ‘This is not a White Cube Gallery’ (Lisbon and Luanda).
An Encouragement Award of $500, sponsored by First Floor Gallery, Harare, was awarded to painter Abubakar Moaz (Sudan) for materials, while Honorable Mentions went to Solomon Kifle (Ethiopia), Boeme Diale (South Africa) and Christian King Dusabe (Rwanda) whose work will be exhibited by Graham Contemporary in a group show in Johannesburg.
In addition to the juried awards of cash prizes to the total value of $6500, all finalists receive media visibility, art world introductions, representation by galleries, and inclusion in shows and publications.
The all-artist line up of jurors included Jonathan Freemantle, Lavar Munroe and Nicky Marais. Winners were selected based on mastery, originality and promise, with an appreciation of diversity in technique and subject matter, intensity of artistic voice and understanding of the language of painting.
Three works by each of the artists prizewinners and finalists are being offered for sale on Strauss & Co’s EPI February online-only auction, which is currently open for bidding. The sale closes on Monday 21 February 2022 at 6.00pm.
Artist’s bios:
Ravelle Pillay is a Johannesburg-based artist working primarily with painting and drawing. She holds a degree in Fine Art from the University of the Witwatersrand. Pillay’s work is informed by ideas of family, migration and nostalgia, as well as personal and collective memory. Her practice has evolved from a process of archiving. She often draws from personal, family, found, and borrowed photographs. Her work featured in the group exhibition Silence Calling from One Continent to Another at the Goodman Gallery, Johannesburg, was shown at the 2021 FNB Art Joburg week and will be on the 2022 Investec Cape Town Art Fair.
Natnael Ashebir received a BFA in painting from the Alle School of Fine Art and Design in Addis Ababa, Ethiopia. He works across a variety of media, including painting, drawing, digital art, and photography. The core of his exploration is the layers created by politicians, social structures, and the process of urbanisation. Ashebir’s work has been exhibited in Ethiopia, Kenya and Nigeria. He currently lives and works in Ethiopia.
Malebona Maphutse is a Johannesburg-based visual artist with a BA (Fine Arts) from the University of Witwatersrand. She works in heterogeneous media, particularly painting, sculptural installation, linocut printing, digital prints and video art. The artist challenges historical narratives in her practice and investigates how bodies transcend mere existence, not only encountering space but also understanding the politics of space. Maphutse’s work has been exhibited at major international exhibitions including the Bergen Triennial 2019 (The Dead are not Dead) and the Stellenbosch Triennial 2020.

Jemile Taha

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Name: Jemile Taha

Education: Diploma in Computer Science

Company name: Sheraton Style

Title: Owner

Founded in: 1997

What it does: Traditional Clothes

HQ: Addis Ababa, Shero meda

Number of employees: Family members

Startup Capital: 500,000 birr

Current capital: Confidential

Reasons for starting the business: To fill the gap

Biggest perk of ownership: Being committed to work

Biggest strength: Always work to increase my income

Biggest challenging: The fast changing environment of the industry

Plan: To make it a big industry

First career: None

Most interested in meeting: Prime minister Abiy Aimed

Most admired person: Tedros Kassahun /Tedy Afro/

Stress reducer: Staying at quite places

Favourite past time: Playing football

Favourite book: Quran

Favourite destination: Hawassa

Favourite automobile: Toyota Land Cruiser V8

Ethiopian Women U-20: 180 minutes from World Cup Qualification

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A double strike from Redet Asersahne, Ethiopian Women national team reached the Costa-Rica World Cup qualification campaign last four defeating its Tanzanian counterpart in aggregate 2-1 score line. Head Coach Hailegebriel Ferew is yet to face his toughest challenge Ghana in the final qualification campaign.
A second round 8-0 thrashing over Rwanda followed by an 8-2 demolition over Botswana and the 2-1 humbling over Tanzania, it was an incredible campaign for the Ethiopian team that conceded only three while bagging 18 goals. Seven goals into her name so far in the qualification goal machine Redet set a new World Women U-20 qualification record bettering her compatriot Loza Aberra’s six goals.
Ethiopia, Ghana, Senegal and Nigeria are now just one match away from reaching the FIFA U-20 World Cup Costa Rica 2022 after triumphing in the penultimate stage of African qualifying.
The quartet emerged victorious from the fourth round of the 2022 African U-20 Women’s World Cup Qualifying Tournament, prevailing in the second legs of their ties against Tanzania, Uganda, Morocco and Cameroon respectively.
The fifth and final round will take place next month, with two FIFA U-20 Women’s World Cup spots on offer. Those will be decided by knockout ties played over two legs, the first of which will take place between 10 and 12 March, with the second following a fortnight later.
Nigeria are aiming to maintain their perfect record of having qualified for every FIFA U-20 Women’s World Cup to date, while Ghana are also regulars, having reached each of the last five. Ethiopia and Senegal, on the other hand, are targeting a first-ever appearance at this global showpiece.