Saturday, October 4, 2025
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Internal control

All organizations, public or private, which represent large amounts of public money and interests, should be governed by very strict checks and balances and be subjected to close scrutiny. Not having such controls in place only opens the way to mismanagement and misconduct, deliberate or not.
Now, not at all in any way in comparison with the amounts of money involved in for example some of the real estate businesses operating in the country, my own auditor’s report landed on my desk the other day. While no major financial management issues were noted, my attention was drawn to remarks made in relation to separation of power. It appeared that on some occasions a document or agreement was signed by a person who in fact did not have the authority to do so. Something like this typically happens when the person with the right authority is not around and the assistant signs “for” while trying to be helpful and not delay the process of a purchase for example any longer. While the initiative of the assistant may be appreciated, the auditor was quite adamant and described the practice as a high risk for the organization. Only the person who has been given the authority to do so should sign certain documents as the organization otherwise risks making major errors and costs made becoming ineligible. It is an issue of separation of powers and having the right checks and balances in place.
In an organization, checks and balances refer to internal control mechanisms that guards against fraud and errors due to omission. In a system with checks and balances, the authority to make a decision and the associated responsibility to verify its proper execution, is distributed among different departments. These departments are kept logically and physically apart, and no one department can complete a transaction all on its own. For example, the purchasing department orders goods, the stores-department receives and compares them with the respective purchase orders, the quality assurance department inspects and verifies their quality, the accounts department verifies the invoice amount, and only then the comptroller authorizes the payment for the purchase. This process emphasizes interdependence without interference, and creates a data trail or paper trail for auditing.
Now, the development of controls is perhaps the most difficult part of management to get employees motivated. After all, rules and procedures seem a long way from producing, marketing and selling. But having controls is responsible management and taking the time to develop and keep up to date good controls is a key part of good management. To check whether you have sufficient and effective checks and balances in your company I suggest you try and answer the following questions:
Do you have the following policies, and have they been updated within the past 24 months?
Financial policy
Personnel policy
Quality assurance policy
Do you train staff and management annually on key policies?
Do you enforce your policies consistently?
If not, it is time to deal with it and to begin developing the most important controls: finance and personnel.
All of us need limits. Set them with your controls and then enforce them. If you are not willing to enforce a certain part of a policy, don’t put it in writing. Make sure your policies, rules and procedures are up to date and enforceable.

Ton Haverkort
ton.haverkort@gmail.com
Sources: Managing Organizational Behavior by Schermerhorn/Hunt/Osborn
Mission Based Management by Peter C. Brinckerhoff
http://www.businessdictionary.com/definition/checks-and-balances

Selamawit Alemayehu

Name: Selamawit Alemayehu

Education: MSC in Computer Science

Company name: Selam Ethiopia Tour and Travel

Studio Title: Owner

Founded in: 2015

What it does: Tour and travel

HQ: Hawassa

Number of employees: 13

Startup Capital: 50,000 birr

Current Capital: 1.2 million birr

Reasons for starting the business: Financial freedom

Biggest perk of ownership: Idea freedom

Biggest strength: Never giving up

Biggest challenge: Poor awareness on the market

Plan: To expand

First career: Machine technician

Most interested in meeting: Ermias Amelega

Most admired person: Deneil Kibret

Stress reducer: Praying

Favorite past-time: Working

Favorite book: Experience in Life by Pope Shenouda III

Favorite destination: Hawassa

Favorite automobile: Toyota

THE AMBASSADOR AND THE ARTIST

“African Liberation is not an event it’s a process… ” Ambassador Kwesi Quartey, Deputy Chairperson of the African Union Commission.

Africa Day, celebrated on May 25th is a Pan African holiday recognized in Africa and the Diaspora, marking the establishment of the Organization of African Unity, symbolizing Africa’s quest for freedom. HIM Emperor Haile Selassie I first hosted representatives of 30 African nations in Addis Abeba convened to determine their collective destiny May 25th, 1963. The OAU’s progeny, the AU will “celebrate some landmark achievements of the Union… calling upon all Africans to commemorate and celebrate the Africa Day,” remarks H.E. Ambassador Kwesi Quartey, Deputy Chair Person (DCP) of the African Union Commission. As celebration connotes culture and the arts, I was curious to hear the AU’s perspective on art and culture and the impact, role and responsibilities of African artists.
I requested a few minutes of the DCP’s precious time to facilitate a candid conversation with one of his favorite artists, Merid Tafesse. Kwesi, Ghanaian born and Merid, Ethiopian born are both staunch Pan Africans. The following is the important exchange in response to my three questions: What is the significance of African Liberation Day of yester-years and today? What is the impact of artists on African liberation? What is your advice to artists towards the unification and progress of Africans?
DCP Kwesi shares, “We grew up on the joint thesis of Kwame Nkrumah and Haile Selassie in bringing together the various tracks of practicality of African integration… heads of independent states met to stake a claim for total liberation in Addis in 1963 so the 25th of May is of critical importance for Africans. We have come along way…at the root of our relationship with diaspora was the slave trade…declared the 6th region of the African family. The purpose of liberating ourselves means we must relate to the larger African family as the whole notion of Pan Africanism came from the Diaspora …with the likes of Sylvester Williams and Marcus Garvey…the under ground railroad etc. … led to independence of Ghana. Still we are in a process of Africa retaining its integrity and asserting its determination for restoration. All this is now encapsulated in agenda 2063 espoused by Mrs. Zuma; a vision…where borders have become bridges…Trans African railroad, Continental Free Trade Agreement etc…flagships of African prosperity…tracing the line from history to see how we go forward…reminding ourselves of the struggles…slowly we see things coming to pass… coming to continental planning recognizing our difference while celebrating our commonalities. Liberation is a process not an event and culture and the arts are at the heart of the development of the African nation. Art gives us a sense of belonging.”
Merid responds to the wise words, “Culture, in the end of the day, is the base of our identity, spirituality and creativity. I noticed countries that colonize don’t give art classes past elementary school, even though Europeans say they value the arts. That tells me how culture and creativity are significant, such that they take it out of the curriculum. When you go all over Africa we are developed and creative but colonial powers makes us forget how great we are. They take our wealth and make us feel we have to get it from them. Art is beyond visual and decoration it is spiritual. The oldest temples are here in Africa… and yet people die crossing the ocean not just for opportunity but because of the belief that everything white is better, its not just economics it’s optics. This is what the artist’s eye sees. We lost many things through loss of education, if we are educated and exposed to art it enhances our creativity not just to become artists but in every field. Art is in our genes.”
DCP Kwesi final thoughts, “Art is to enhance our enjoyment of life, if you are a painter a musician, if you are culture man, like Merid, let your work enhance and encourage the imagination of the young people, to strive for the values that you believe in, your values are inherently African…living in the community together, each his brother and sister’s keeper, having a society where they are self supporting, reinforcing cultural, material, economic and artistic systems. They way Miriam Makeba’s songs inspired liberation, the way Hugh Masekela inspired equality and independence; the kind of songs from Bob Marley, One Love and Africa Unite…the artist is using what he has, his talent to enhance the struggle. Because life for Africa and the black person has been a struggle, our aim is to live life better for our people our mothers our sisters our children so in the future it will be better it is as simple as that.”

Dr. Desta Meghoo is a Jamaican born Creative Consultant, Curator and cultural promoter based in Ethiopia since 2005. She also serves as Liaison to the AU for the Ghana based, Diaspora African Forum.

INTERVIEW with Jonathan Dimbleby

One of the popular coverage that BBC covered so far in Ethiopia is the Wollo Famine that presented horrible picture of people who died with hunger and loose there weight. Though it is a past history some westerner still picture Ethiopia in the film that they saw back 46 years ago. The man behind the story and whose name is very popular in the BBC as well in the global media is Jonathan Dimbleby. The journalist agreed that the famine was a horrible and shocking situation in the history of Ethiopia but he said that Empereor Haileselassie was not aware of the situation and did not concealed to the global world.
Last Mondy Jonathan Dimbleby came to Addis for his TV show and host a debate program.
Before the show Capital’s Reporter Tesfaye Getnet talked to him about the film he made about Wollo famine and the global media challenge and achievements. Excerpts.